USTA Production
When it came time to shoot the promo for USTA, I felt relatively prepared. My concept was simple enough, the shots were clear, I had written a shot list, made note of the props and talent needed, and felt confident it would go off without a hitch once the cameras started rolling. For the most part, things went very smooth. I was able to light, shot and wrap everything within about a half hour or less, as most of the shots were just the tennis ball on the floor of the green screen room. When I put it into editing though, thats where I began to run into some problems. Keying out the tennis ball was the biggest challenge. We had lit the scene with a orange gel to give the ball a bit more definition, and differentiate it from the floor, and on camera things seemed to look fine. But when I put it into After Effects to do my keying and compositing, trouble struck. There were only 1 or 2 angles where I could key everything I didn't need, and maintain everything I did need. For 90% of ...